dub-tech >> 09.10.2006 >> klang & spallek, labelowner of paso music, with three tracks of smooth timeless minimal dub techhouse and one more forward going title track..

main vocal mix already a favourite of greg gauthier, the original by di pascali mixes fender rhodes and soaring strings with elements of funk and a killer baseline. coupled with the incredibly strong and sensual vocals of the talented laïa, the effect is guaranteed to take your breath away!rks dub version dj rorks take on the song is strong on keyboards, with a catchy vocal hook that will keep you going from the start right to the end of the track. definitely to be played to death.support by didier sinclair in love of breathe to fly, amnaye, léo cuenca, yass, greg gauthier, dj rork

anders trentemøller, the shooting star of 2005, needs no further introduction. he has been stringing together hit after hit, most recently the -nam nam ep- on poker flat which offered an initial insight into his upcoming album -the last resort-. now the new 12- brings the first full-blown single outtake. the featured album track is -always something better – a vocal version featuring richard davis - and has a calmer, almost dreamy mood compared to the club tracks he s released. an easy-going groove, some wonderful celesta chords (hand-played by anders) and the typical trentemøller sound melt with the outstanding vocals by richard davis, who already graced swayzak s -speak easy- on k7. furthermore, davis is known for his longplayers on punkt musik and kitty-yo as well as an array of singles and remixes.a brilliant track with a beautiful atmosphere.of course the a1 slot is reserved for the -trentemøller remix-, a true dancefloor anthem. a kicking bass drum, quirky sounds and the -trentemøller twist- make this a real summer hit. while the a1 mix is a reduced vocal version, you ll find the -dub mix- on b1. to top things off, the one and only matthew herbert contributes his very own interpretation on the -bubble mix-. he disrupts and rearranges the original sounds and song structures to create a new unsettled, but fascinating soundscape

here we find montreal disco freak gino soccio going up against the timeless marvin gaye. gino soccio >victim of change< + instro vs marvin gaye >funky space reincarnation< + slits >i heard it through the bass line< reworking of marvins classic !!

p. diddy may have, ahem, >invented the remix<, but now berlin s vakant label is turning the concept on its head - using the remix to (re)-invent the label itself. vakant r is the newest addition to the imprint s crowded house, alongside the parent label and audio-visual offshoot vakant x, vakant r rounds out the minimalist trinity with a stunning debut release featuring mathias kaden and onur Özer going head-to-head in a no-holds-barred battle of the remixes

a side feat 2 slamming tech tracks flip 4 two cool electro grooves

great six track ep by bjoern stolpmann with excellent easy going minimal tech !!

with his stunning releases on raum…musik and steve bug s pokerflat imprint, argy a.k.a. jobim s cousin has earned himself a position as one of today s most promising producers. on cargo edition, the boy from greece shows himself a bit more tool-like - hypnotic percussions drive forward these two excellent dancefloor tracks. comerte (a1) sounds like a bongo band playing live at the gym: this sound reminds us so perfectly of squealing basketball boots, doesn t it? hopefully, your dancefloor is not slippery, either… la revancha del bossa (b2) is a bit less forward, paving the way to daniel stefaniks remix of comerte (b1) with nice bassline action. speaking of the remix - mr. cargo edition himself keeps the crowd driving mad with three minutes of spurring synth modulation. see the people going wild when he finally drops in that redeeming bass drum

berlin team of dave shokh and holgi star are back with a cool house long player for the masses. remix courtest of the ultra hot agaric (we are, aka patrik skoog) begin with gathered clicking percussion built with high pitched stabs and reversed flicks. lirum builds ontop of itself as the snare punctuates the groove as the bell rises. a galloping invasion of sounds going from your brain wide into your feet. you will dance and feel good. yes. agaric does not hold back. the funk is dripping. a rolling tight groove filled to the top with hits and drum flips. just wait as he teases before the bassline appears and off we go. madness for the dancefloor?!? for certain!

on the a side a long re worked version of the famous 60s classic song from connie francis with massive dancefloor tech house beats sweet percussion and a tweaked vocal reloop going into deepness and ending with pad and subbass. on the flipside a brillant redub courtesy of a2 in a tech house fashion. swing beats & full bassline in a planet e style to aim for the dancefloor

number 12 on soma offshoot darkroom dubs these guys have been around for some time producing drum and bass and now they have a crack at some dark electro based electronica loads going on in all three tracks

he is back! after releasing >radar rider< on ed banger records 001 back in 2003, and spreading love with >monsieur sexe< on valentine s day 2004, mr flash is now delivering the dope >champions< track with paris rap bastards ttc. a pure hip hop club banger with a medieval twist, you ll not resist. on the flip, disco dynamite will make the crowd going nuts, imagine bootsy & herbie gang banging the esg girls ! supporters include the likes of james murphy (dfa), the glimmers, midnight mike, freeform five etc. on the flip >tight humps< works b.e.p s vocal with an old disco joint – you work it out. rave on. ltd. hurry hurry...>lycra virgin< is mock & toof s re-edit of that famous madge track which has been buzzing via myspace for a few months

the album from berlin based artists sasse (aka freestyle man/mr negative) shows his musical roots starting from disco and italo, going thru the clubby chicago and detroit techno influences mixed with his fine ear for catcy melodies and fine tuned arrangements.the album is featuring vocalists kiki (b-pitch control), malte (losoul/playhouse), jani lehto (star you star me) and bernadette hengst (die braut haut ins auge)..

back in stock..

nice price deal !!! nice price deal !!! this track has a groovy sexy 80s feeling its one of those tracks that will take all the ladies on the dancefloor the production was done by peter luts & dave mccullen. for the electro guys theres a massive remix from dave lambert vs elektrokid this is going to be huge this summer

big track here from willy with some very cool mixes coming from mario ochoa as well as portugese deck superstar thomas cajal fine array here with the original mix being a sweet and uplifting filtered original and the other stars going with some more of the tribal spice the vocal in the track is awesome and all the producers use it to the max

excellent pumping minimal techhouse 3 tracker a lot of bleeps and clicks going on here not to be missed

cool funkin jackin chicago / acid classic tracks >> rerelease

inc. oliver koletzki rmx !! kaiser souzai is the name of one of the most powerful persons of the underground szene in the movie classic >the usual suspects<. but markus binapfl and patrick buck aka kaiser souzai are neither gangsters nor mafia members, but their name is mentioned all around the electro music scene in germany. they run legendary parties in the sm bar hamburg like the >resindenza< and the >danza electrica<. with their current release >girl< on the new future music sublabel rotor rec they are going to be having another hit.. the track contains well known parts of the legendary pulp fiction movie

dave taylor and jesse rose have been working together as induceve for about 6 years now. this is their second release on dubsided and as the title track >warehouse shit< has been knocking about for a minute, its good to see the vinyl is out now. a1 warehouse shit – so there s going to be comparisons with >higher state of consciousness< but what the hell, it smashes the floor every time its played. its squelchy, bumpy, and all pinned down by a simple but effective groove. b1 stay cool - proper underground mischief. bumps along nicely. as the title suggests this track stays cool, doesn t get too hectic - just a bass line, relevant hooks and automated lead synth line. b2 why burn - cool, heavier and altogether less deliberate. the deeper side of induceve with a definite chicago, sneak-type feel

a nasty three tracker ep of ghetto-fied underground house grooves nasty chicago house on the a side with ghetto superstar a jacking acid house stomper with some hot techy vibes and cool vocal cut up samples getting the floor going big track for heather sneak and phil weeks now the flip features more of a youngman styled jazzy cut up with makin me high while newcomers busy & spoon turn in a quality mix of the a side cut

limited backstock of this classic compilation

2000 classic outstanding 2 tracker here on versatile a side is a deep summery effort built around a smoking string loop and over on the flip you kind of get an uptempo 4/4 number with a hip hop flavour and some well wicked sub bass going on

ed gusto green should need no introduction as the man who brought uk dance music one of its biggest hits of the 90s with the still played discos revenge here he takes the well known sample from odyssey going back to my roots but twists it into a minimalist houser on the flip polish producers and remixers wawa thrill dancefloors all over the world and their remixes here are no exception

songs from serge gainsbourng.

producer who teamed up with hernan cattaeno last year going it alone for this one on sr2 its a damn fine bit of the dark proggy and druggy club fodder all based around a vocal sample that simply repeats the title

this time around another huge rave hit gets a going over from the cnm crew to create a tough dark breaks cut

resource picking up the ball that peter presta dropped with a solid rendition of the old boston pop hit that takes the originals big hooks and brings them right up and over the kind of floor filling beats and peak hour club production that works overtime to drive the crowd crazy this is going to be huuuuuuuuuge

strong electrohouse three tracker with a lot of bleep going on check debut with a lot of kraftwerk flavour not to be missed

john andersson and johan emmoth are the man behind zoo brazil, one of the most innovative producerteam. also known from laid, cuba computers, nars and outcold the two producers and djs have worked with artists like human league, fat boy slim, danni minouge & james holden their remixes for blaze & zoot woman gained a big round of applause, they have remixed for labels such as music for freaks, paper recordings 20:20 vision and wall of sound, just to name a few. zoo brasil first release on pickadoll is a solo work from john andersson, full of highly epidemic electronic grooves, whichsoever you cant resist! all three tracks are aimed to define a new dancefloor stategy, filled with raw synths, since fiction elements and a full pressure beat, wich is going to set you on fire

groove diggerz are back with the second release on even flow hot on the heels of big bad bruiser their original mix is a tuff yet easy going feelgood breaks cut lead by smooth synths and driven by a catchy bassline whilst precision cuts uses a more tech breaks style of percussion on the remix bringing more of a swinging feel to the track

excellent 80s inspired funky disco house !!! feat >the going gets stuff, the stuff gets going< vocalist billy ocean !!

the strongets spanish house label with another superb release! a side mix gets down and dirty and keeps teh vibe going for the masses. the digital zoo mix on b is a funky electro mis with more electronical elements >> killer

christian attersee is one of austrians finest contemporary artists when it comes to painting but he always was musician in heart as well classy examples of his musical art going as far back as the 70s monkey music now has unveiled these early recordings of attersee and cafe drechsler mastermind alexdrum alsongside with don summer produced up to date versions of attersees early material featuring vocals by german hip hop legend flowin immo

berlin s heroes of the night autotune have done it again for fumakilla. after month of carful and stea dy toiling in the studio, >department #1< has the autotune tech-house touch but elves into deeper waters. >little machine< is a track for the night, burning but steady, building to bust. it will get the kids on the floor, no holds bar. >night shift< has traces of french house without loosing any of the power that autotune are known for churning out. the third offering on the ep, the aptly named >le sound hypnotique< with memorable vocal samples is just right for keeping it going in the early morn. autotune s work has paid off with this exquisitely produced ep, and the world s dancefloors will be thankful

we are proud to present robert babicz and martinez as our first release on barbarella music. robert babicz takes us into a spheric drivin journey with his >my blue car<. after he starts the engine he s driveing up with smooth minimal & spheric sounding beats. during the hypnotic drive the enegetic sounds build up in the backdrop and blow up and arouse fanaticism. martinez let us flow in a deep and minimal state of mind. the engine working with dark pumping sounds and going constant till it s coming to improve the efficiency in fuller speed. this is of course a release package to match in all the djs cases

three extremly fresh and delectable electro poplike grooves sounding different from each other.the first >arotmatik< begins with an short intro showing the main theme and clearing the way for a jumpin and kickin groove to give the track a psychic touch.in opposite of that >memories< stands for a trancy uplifting groove going forward and forward deep. the beauty in the last track is only at the beginning. seconds after you will be pulled down by a lazy, heavy and slowery dark groove we just cannot get enough of. xcellent

oscar mixes techno-electro and some tough bass thats purely f-in rockin! on the flip is the highly talked about blackstrobe remix that gives the track a completely new sound design reminding us of new order or nitzer ebb, following the melody of the original whether new york, berlin, or ibiza, this is surely going to rock any dancefloor

the next generation of minimal-infected technoheads is starting off and two of those hyper-talented newcomers are already signed up by sub static.. aged 19 and 20, mike & dot hail from jerusalem make sure with perfect rockin minimalism !!!!

it should be indicative of how big or influencial a genre is becoming when you start getting dubstep records from sweden probably one of the least grimey countries on this planet apart from issues of genre politics musically this ep has got nothing lesser in comparison to its uk counterparts its dark dirty and not shy to pile up those bass frequencies and its hard not to notice those arabic undertones going on through the whole record (sb)

nice spacy electro disco three tracker lots of effects and huge synth and key riffs going on here (sb)

nice progressive gem with a nice male vocal flip for a cool 303 electro version and the going deep alternative version (sb)

daan duurkoop (dlux) comes with a funky big room melodic techno burner, this is an absolute killer and is going to be massive.on the flipside peter horrevorts, known from his forcesuppreme releases on x-trax, brings us a groovy tribal inspired production with funky percussive elements, rhythms and vocal stabs..supported by adam beyer marco bailey, remy, valentino kanzyani, hertz and marco v

sweden's air bureau is back with this funked up shaker.this basement jaxx'ish sound is going down really well in sweden at this moment.playlisted on national radio & full charted for weeks on the djs charts in sweden.jason nevins which we all remember from his rework of run dmc classic track its like that done the remix work & its a superb commercial vocal piece.top charted in the dmc update (uk)

domino is true dirt crew style û dirty afterhours housemusic for the head, toes and itchy fingers. echoing bassline going thru the dirt crew machinery of slamming beats, dark athmospheric pads and the usual dirty samplework makes 'domino' stand out as true classic. like '808 lazerbeam' defined a whole sound, this one takes it 3 steps further with refined arrangments and finetuned dirtyness of highest calibre. 'break my body' is totally another story, relying on a funky break (who could guess its from break 3000, ehm.. ), murder kickdrum and the oldschooool bassline we could expect from the duo. its goes on, and on , and on , and on. but - what the heck, is works like a charm and its what we want, right ?

classic early ninetees club tracks with a big acid flavour a lot of 303 action going on here (sb)

the debut album from john dahlbaeck !!its a carefully arranged and gloriously fittin album.. starting from calmer and more melodic tunes over super functional electro techhouse corkers to siren soaked rave anthems.. all 4 to the floor, all in the well established john dahlbaeck style !!

from the pure beauty and bliss of the a-side with their irressistible funky beats amd melodic synth lines and the deep emotional electrofield stringladden 'going down on wordward' to the storming and uncompromising dancefloor bomb 'the 909 dice' on the b-side.. influenced by the birthplace, the motor city detroit..

the consumer seems to bring up some 'advisory' with a wide range of styles going from the simple and raw oldschool side of electro to the more fine and digital sound combined with a lot of mad and dark lyrics that brings each track a little higher. 6 very different tracks with a lot of surrealism and 3rd dimension and still you find some tracks with a simple structure - keeping it all down to earth. the consumer-sound can be described as a unique atmospheric, but yet very dry and sharp sound that includes alot of small crazy elements